MOTION
PICTURE APPARATUS
Orazio J. Antonelli, Brooklyn, New York 1922
Orazio
J. Antonelli was born in Italy about 1881 and lived in
Fall River, Massachusetts from at least 1926-1950. Between 1926-1935, he is shown in city
directories as a photographer, machinist and a sewing machine repairman and
operator.
Portrait believed to
be Orazio J. Antonelli
Residing earlier in Brooklyn, New York, Antonelli gained U.S. Patent No. 1,406,808 issued
February 14, 1922 for his " Motion
Picture Apparatus" after reportedly obtaining an Italian patent. He subsequently obtained Canadian Patent No.
218,535 on May 16, 1922. The camera
appears to have never entered production as evidenced by no other known
examples, no serial number found on this example, no advertising found other
than notices of the U.S. and Canadian patent issuances, and no mention in any
collecting references. Most likely a prototype, when acquired it was
accompanied by its crank handle, a lens filter, U.S. patent documentation, an
Italian patent granted to Antonelli on August 16, 1908 for an adding machine,
what appears to be instructions dated 1909 for an adding machine manufactured
by him, film positives and what is believed to be a photograph of Antonelli.
Antonelli's camera was intended for home use by amateurs.
The unique features of his camera include its ability to also be used as a
projector, and its spiral disc film. The
image is transmitted to the spiral film via the lens at front. As the film disc
rotates, it also moves towards the lens' center, arranging the recorded images
in a spiral line. Assuming that a
positive is made subsequent to the disc's development, this positive can now be
projected. Changing out the taking shutter for a projection shutter, energizing
an internally mounted light bulb and effecting a few minor adjustments, the
camera could then be used as a projector. The camera measures 7-3/4" high,
11-1/16" wide and 5-5/16" deep, and utilized 5-1/4" spiral film
discs. George Eastman was said to have
made attempts to purchase the rights to the camera, but this is unconfirmed.
What is known, is that Antonelli held at least seven U.S. patents for
photographic-related items and other mechanical devices. One of them, Patent
No. 1,731,733, was for a motion picture projector, capable of automatically
rewinding the film after projection and projecting it again.
By his own admission in the patent's wording, Antonelli
acknowledged that the images projected would be minute. This, together with limited recording
capacity, an insufficient light source for projection and the difficulty
involved in loading the disc, doomed the camera's future. But you have to admit, much like the Urban Spirograph projector of 1917 or
the Kemco Homovie camera and projector
of 1930, a really great concept and very forward thinking for its time.
Certainly, Antonelli's
"Motion Picture Apparatus" can be considered most rare in the
pantheon of amateur movie making's rise. Just one, in a number of commercial
upstarts of the period, that would ultimately fail with the emergence of
Eastman Kodak's 16mm format in 1923.
Close-up of disc
showing spiral images
Source: Google Patents
Source: Google Patents
Source:
Google Patents
Source:
Canadian Intellectual Property Office
Source: Google Patents